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JOURNEYS
Construction/Paintings & Mixed-Media Collages
“We’re not here to do what has already been done,” says Gerald Huth, quoting the late Robert Henri of New York’s Ashcan School art movement of the early 20th century. Mr. Huth will be showing recent works in a solo exhibition at Belmont’s 1870 Art Center Gallery, from June 22nd through August 6th. Further explaining his approach to art, Huth says, “My work isn’t about abstract ideas” nor do I “want my art to look like a pretty landscape” it’s more visceral. “I’m not a decorator.”
Strong words. But, then, this artist does strong work. Merging painting with sculpture his fluid, energetic images are not constrained by rectangular canvases but instead dramatically rise and fall from the surface of large-scale canvases of many geometric and amorphous shapesoften breaking or extending beyond the frame. The artist’s “Construction/Paintings” are both wall-mounted and free-standing and combine canvas, oil paint, wood, burlap, rope and other natural materials.

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Much of Huth’s work employs abbreviated, dreamlike faces and figures with abstract organic forms in a harmonious melding of color, rhythm, texture to express his view of the relationship of man to his environmentboth physical and cultural.
After a degree in Architecture from University of Pennsylvania in 1970, Gerald Huth turned from architecture to art; he traveled Europe and studied at the Ecole des Beaux-Arts d’Avignon, France, before returning to continue studies in New York City at Hunter College and The Art Student’s League. He’s had over 25 solo shows here and abroad. He maintains a studio and gallery in Forestville where he’s lived since moving to California some 20 years ago.

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